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“你是从什么时候开始……”写诗的? 
一个不经意的问题,将五位写诗的年轻人聚集在一起,寻找有关诗歌源头的秘密,“你的第一首诗……”写给谁?写在哪里?心情是否如那天的天气?诗又如何把沉默变为喧嚣,把聚会变得孤单?
你的生活是否也发生了不期然的转变? 

五位写诗的年轻人,带着他们的答案、他们的诗和生活的碎片,填满冬季一座剧场的黑暗,不感伤,也不失望,甚至不动心,更不露声色。离开时,还要把舞台打扫干净,把诗收回口袋,准备明天新的演出。
《写诗》由写诗者的个人口述历史和物件、媒体、身体展览组成,它指涉“写诗”这一行为与社会身份的关联和互动在当下如何发生,并彼此增长或瓦解。 
剧场作品将始终强调“写诗”这一行为,且是“生活中的人”的“写诗”,当一种民间抒情手段被权力话语渗入并成为一种精英旨趣的时候,诗歌如何复归“民众”?
平凡的年轻人该如何对待“写诗”、“诗人”与他们的社会身份?这些是该剧场作品试图探讨的部分。 
因此,《写诗》被嵌入“诗歌走进剧场”系列活动,不仅是沟通纸媒到剧场空间两个场域的媒介,也是一次社会发生,一个立即的事件。


 


A performance about poetry and the process of inspiration and creation of a series of activities about poetry in the theater, “Writing Poems"

Premiere
Time: January 2013 on the 4th, 5th & 6th at 19:30
Location: Beijing Penghao Theater (Dongcheng District Dongmianhua hutong No. 35)
Tickets: $ 50 (students), $ 100 (advance booking), $ 120 (at gate)

Cast and Crew
Art consultant: Lanlan
Actors / Script: Sun Xiaoxing, Shi Yue, Huang Yimeng, Ma Di, Zhang Yueyuan
Director: Cai Yi Yun
Dramatic Constructor: Sun Xiaoxing
Visual Director: Li Yi
Set Designer: Li Su
Lighting: Ai Ziqing
Video: Xu Xianming, Wang Yuan Qing
Sound Designer: Ma Di
Graphic Designer: Shun Xiaoxing
Pianist: Peng Lan

Publisher: Masters Dance troupe
Acknowledgement: Ma You Ye folk organizations, snare Poets Society

 

Work description
" when did you start ...... writing poems?"
A casual question which brings five young people who write poetry together, to find the secret of their poetic sources. Your first poem was to whom? Where did it happen? What was your mood & the weather like that day? How do poems make the silence burst with sound and meaning? How do poems make the party lonely? Does your life also have these unexpected transitions?
These five young people, with their answers, their poems and fragments of their life, fill up the winter darkness of a theater, not sentimental, not disappointed, and undemonstrative. When they leave the stage, the performers clean up, and place their poems back in their pockets, ready for a new show tomorrow.
“Writing poetry” consists of personal oral histories , objects, media, and body exhibition from people who write poems. It refers to how “Writing Poems” happened and grew or disintegrated in the moment when this behavioral association interacts with social identity.
The theater works stress that the act of "writing poems" is "people of life" who are “writing poems”. How do poems regress to "people”, when a certain kind of folk believe it to be for the purpose of the elite & a kind of authority? How do ordinary young people treat "writing poems," and “the poet" and their own social status? This is what these theater works attempt to explore.
Therefore "Writing poems” it’s not only for the medium of academic papers or print media relating to the theatre, but also a social occurrence, an immediate event.










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